Orchestral jobs and
orchestral auditions for
viola
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If
you are looking for orchestral jobs and orchestral auditions for viola,
here
is the place for
you.
Orchestral
jobs also means all type of jobs that
form part of a musical institution, such as a symphony orchestra, a
opera house etc. Therefore there are jobs for many types of musicians
and non musicians. Orchestral auditions are for players of all
instruments, then a musical institution needs singers, répétiteurs (in
case you don't know, it is a pianist who helps during rehearsals with
singers and dancers), more people who know music such as librarian or
archivist, and all administrative people to work in the offices to
organize the musical events, promote them, people who make costumes,
scenes, videos, electricians, etc., from the top manager to the
youngest guy just hired.
Most people don't
think about this, but there is a lot of work going on behind the scenes.
Here
you can find useful information (especially for viola) on where to find
these orchestral jobs, which pieces
to prepare for orchestral
auditions, which orchestral excerpts,
where to find them.
This
information is about professional
orchestral, but it applies also to school,
conservatoire
and university orchestras, summer
courses auditions and amateur
orchestras
auditions.
As a general
rule, at orchestral
auditions candidates will have to play a solo piece, a concerto movement, sometimes a sonata movement,
some orchestral excerpts
and a bit of sight
reading. As already said, this is a general rule, each
orchestra will choose its own programme.
This
depends on how selective the orchestra wants to be: some will request
more demanding solo and concerto pieces even from the tutti candidates,
a sonata movement, more orchestral passages (even impossible to find or
copyrighted ones!). So from the programme you can get the feeling of
the type of orchestra, if you don't know it already. Finally, for
principal positions they'll want you to play some orchestral solos.
Now here you can get all of them on CD-ROM,
twelve volumes,
from A to Z, and you can print only the pages you need, OR you can have many volumes of printed
orchestral parts and orchestral solos.
Sheet Music Sale
Solo
pieces for viola orchestral auditions
In most cases you'll be
asked to play one or more contrasting movements
from Bach's Suites
transcribed from the cello original. In some rare cases, or for
principal positions, they'll ask to play movements from Bach's violin
sonatas and partitas. Other times they may want to hear Reger's Suites
or a study or caprice. Here you can find some.
FREE viola
parts of three suites
Cello suite n. 1
in C major BWV 1007;
two files: the viola version and the
cello original Download
free sheet music
Cello suite n. 2 in d minor BWV
1008;
two files: the viola version and the
cello original Download
free sheet music
Cello suite n. 4 in Eb major
BWV
1010;
two files: the viola version and the
cello original Download
free sheet music
Downloadable
sheet music with FREE MIDI and Mp3 files Transcriptions
for viola and other instruments
At
auditions they'll ask to play a classical concerto and something
romantic and more modern. In most cases the classical concerto for viola tutti (and
sometimes also for principal viola) will be Stamitz
concerto in D, in some cases Hoffmeister or Johann Christian Bach.
Telemann is rare,
although it could be suitable for some school or amateur orchestras.
Then, for principal viola
positions they may also
want to hear a modern concerto, either Bartok
Viola
concerto or Walton Viola concerto or Hindemith Schwanendreher.
More and more often they've been asking for these modern concertos also
for a tutti position in
professional orchestras.
Generally they want to hear the first
and second movement with
cadenza.
Concerto for viola and
orchestra Bartok
Viola concerto - Printed
sheet music Recently new editions have been
made, but the best known version of Bartok's viola concerto is the
first one, edited by Tibor
Serly, with the viola part edited by William Primrose, so it's
very likely they at auditions they request
this one. With piano reduction and score
If at an auditions for orchestral jobs they
want to hear a sonata movement (or more), it's very likely that it will
be
Brahms or Schubert, sometimes Hindemith or Britten or Enesco.
Here
the list can be very long and finding
all the requested works can be quite challenging. I'd recommend you to
make your own collection of orchestral passages long before you need
them, to save time and be ready at the right moment. Generally, they'll
be a mix with some classical
works (Beethoven, Mozart), romantic
(Mendelssohn, Brahms, Tchaikovsky), opera
(Mozart, Rossini, Wagner), 20th
century
(Stravinsky, Shostakovitch, Mahler).
Again, the
list and difficulty of the works can vary a lot, depending on the type
of orchestra and audition. Here you can find some collections of passages. Also see the page about viola orchestral parts.
The following ones are the orchestral passages for viola most often
requested at auditions:
Ensemble: Divertimento for String
Orchestra, 2nd and 3rd
Movement (Bartók) • Symphony No. 3, Op. 55, 3rd Movement (Beethoven) •
Symphony No. 5, Op. 67, 2nd Movement (Beethoven) • Symphony No. 9, Op.
125, 2nd Movement (Beethoven) • Overture to Coriolan,
Op. 62 (Beethoven)
• Römischer Karneval, Op. 9 (Berlioz) • Symphonie
fantastique, Op. 14, 5th movement (Berlioz) • Carmen, 1st Act Nos. 6
and 11, 4th Act No. 25 (Bizet) • Symphony No. 3, Op. 90, 1st movement
(Brahms) • Symphony No. 4, Op. 98, 1st movement (Brahms) •
Haydn-Variations, Op. 56a, Variations 4, 7 and 8 (Brahms) • Symphony
No. 3, 3rd movement (Bruckner) • Symphony No. 4, 2ns movement
(Bruckner) • La Mer, 2nd and 3rd movements (Debussy) • Philharmoisches
Concerto, Variation 1 (Hindemith) • Symphony “Mathis der Mahler”, 3rd
movement (Hindemith) • Hänsel and Gretel, 1st Act 3rd Scene and 3rd Act
3rd Scene (Humperdinck) • Symphony No. 1, 4th movement (Mahler) •
Symphony No. 5, 3rd and 5th movements (Mahler) • Symphony No. 10, 1st
movement (Mahler) • Midsummer Night's Dream, Op. 61, 1st movement
(Mendelssohn) • Symphony No. 40, KV. 550, 4th movement (Mozart) •
Symphony No. 41, KV 551, 4th movement (Mozart) • Overture from Marriage
of Figaro (Mozart) • Overture from Magic Flute
(Mozart) • Symphony Classique, Op. 25, 1st and 4th movements
(Prokofiev) • Overture from Barber of Seville
(Rossini) • Symphony No. 4, 4th Movement (Schubert) • Die verkaufte
Braut: Overture and 6th Scene (Smetana) • Don Juan, Op. 20 (Strauss) •
Till Eulenspiegelds lustige Streiche, Op. 28 (Strauss) • Symphony No.
5, Op. 64, 3rd movement (Tchaikovsky) • Symphony No. 6, Op. 74, 1st
movement (Tchaikovsky) • Don Carlos, 1st Act, No. 3 (Verdi) • Ein
Maskenball, Nos. 1 and 2 (Verdi) • Othello, 1st Act (Verdi) • Der
fliegende Holländer, 1st procession, Nos. 2 and 6 (Wagner) • Lohengrin,
3rd Act, Introduction and 3rd Scene (Wagner) • Tannhäuser: Overture and
2nd Act, 2nd Scene (Wagner) • Overture from Euryanthe,
Op. 81 (Weber) • Der Freischütz, Op. 77: Overture, 1st Act No. 2, and
3rd Act Finale (Weber) •
Free orchestral parts
Here are some orchestral parts you can download for free
Check
this orchestral
parts page for more details of a whole series of books with
nearly all the most famous orchestral works required for orchestral
jobs auditions, read the full list of
works: all
Beethoven's, Brahms', Schumann's symphonies, many of the Mozart's ones, with ouvertures, concertos; many
of the 20th century works, really difficult to find in libraries and
shops. They are on CD so you can print only the ones you need when you
need them. Useful to have all of them at hand to practice. Also some
orchestral parts for interesting solo viola works
like Berlioz's Harold
in Italy and Richard Strauss' Don Quixote.
Orchestral
solos for principal viola auditions
Here are some of the solos that may
be requested. They are from
Symphonic, ballet and opera repertoire.
Here
is a very good website with orchestral jobs: orchestral for
viola and all other instruments, all other types of orchestral jobs
vacancies. Also lists of orchestras, schools, competitions,
musicians.
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